Becky and I went out on Saturday evening to the brand new movie theaters at Clackamas Town Center. They have twenty screens, and unlike the same company's theaters at Eastport, the theater was large and very comfortable. We got our popcorn and drinks (I got a free t-shirt with my large drink) and we settled in for the fun ...
Let me just say that I have been preparing myself to be thoroughly disappointed in this film from the very beginning. I listened to the original cast recording numerous times this past week, as I was just too excited, even though I new this movie would let me down. But, I found just the opposite ... it was delightful. Unexpected and completely entertaining.
Burton has remained faithful to Sondheim's rhythms through and through, while Sondheim has taken a liberal axe to his own work. Thankfully Sondheim and Burton both knew that the music, as written for the stage, would not work unchanged.
While the wonderful Ballad of Sweeney Todd has been removed (as there is no chorus) the underlying music in the transitions pays homage to this absence. What is perhaps most impressive about the film is that Burton has managed to create such stunning visuals that the music almost gets lost at times.
There are moments, however, particularly in the first hour, where Burton seems trapped by material written for the stage. There are several numbers confined in the barber parlour and you can see Johnny Depp and Helena Bonham Carter just trying to break free of the "stage."
It isn't until the "Epiphany" that Burton manages to abandon that world and create a new visual context. This transition caught me off guard, at first, and I felt as though I had missed the leap from one world to the next. At the end of the song, we are pulled back in and everything that preceded it suddenly makes sense, but because I didn't follow the transition, I spent the length of the song wondering how we got from the barber shop out into the streets of London. The other leaps into Sweeney's mind, earlier in the film, and later, were much clearer because the palate shifted.
I was delighted and impressed with Johnny Depp as Todd. While his vocal range is limited, I never found myself wanting more, and while there were times where Bonham Carter's voice obviously reached it's limit, she looked so wonderful that I forgave her instantly. The only real complaint I had with the music was that the pace of many songs felt too slow.
There were, however, several improvements and changes to the music that caught me off-guard and made me smile. There were many compressions of music from different parts of the work into shorter passages that worked marvelously and kept the film moving, and songs that I never liked on stage, suddenly came to life on screen. In particular, Johanna's "Green Finch and Linnet Bird." This song always bored me on stage, but because we can see Johanna's face, and because she can sing it with subtlety that would never work on stage, the song is both engaging and important to the film.
As the movie progressed, I found myself surprised at every new turn. As the bodies started mounting, I was disgusted and delighted all at once by the flowing blood and crunching bones. I found myself cringing and then laughing as each body fell from Sweeney's chair.
We had just watched the marvelous "By the Sea" with its spectacular visuals-- Becky and I both loved this number -- when the screen went blank. The theater went dark for a moment and then the house lights came on. I had been sitting there for more than half an hour thinking "I HAVE to pee" but knowing that I wasn't leaving my seat for anything. So, Becky and I both sprang from our seats and shouted "Intermission!" and ran for the bathroom, hoping we'd get back before it started again. Only, it didn't.
The whole mall was cast in darkness. We returned to our seats and waited patiently for our movie to resume. We had food and liquid refreshment and were prepared to wait out the unfortunate delay ... but after half an hour, they came out to tell us that we had to leave. The electricity was not coming back any time soon. We would have to take a rain check and return another time. Reluctantly, we shuffled out of the theater.
I was quite tempted to head straight to the next showing at the nearest movie theater, but decided to wait for another time ... hence, I can only provide three-quarters of a review. The good news is that I get to watch that first three quarters again (hopefully today,) and THAT is the best part of all!